Welcome to Dome Records

Michele Chiavarini gives a subtle dancefloor twist to Jarrod Lawson’s inspirational album title track “Be The Change”, remodelling it into a summery Mediterranean soulful house anthem.  Already championed by leading club DJ/producers Louie Vega and Dave Lee, as well as Jazz FM’s Robbie Vincent and John Osborne, the remix features some very nice flugelhorn playing from Graeme Flowers

Michele Chiavarini revisits the Full Flava favourite and gives it a stunning 2021 soulful house treatment. Originally recorded by Brand New Heavies, it features the distinctive vocals of CeCe Peniston.

Over the past 30 years Michele has worked on hundreds of recordings by such artists as Donna Summer (his Billboard Dance chart #1 remix of “Hot Stuff”), Ray Charles, Diana Ross, Seal, Soul II Soul, Kylie Minogue and Simply Red. In the world of house music he is best known for his work as a producer, remixer and session musician on productions by some of the top DJs and dance acts in the world, among them Dave Lee (Joey Negro), David Morales, DJ Spen, Josh Milan, Ann Nesby, Byron Stingily, Kathy Brown and Melba Moore.

The track will be included on an upcoming Full Flava album “Refreshed”.

Jarrod Lawson, the singer-songwriter-keyboardist from Portland, Oregon who emerged seemingly out of nowhere at 37 with a debut album that took the jazz and soul world by storm, has completed recording of his long awaited second album.

Titled BE THE CHANGE, it will be released worldwide by Dome Records on October 30 – on CD, 2LP vinyl and on digital platforms - preceded by the title track as a single.

He is accompanied by a band that benefits from the rhythmic presence of Grammy-nominated percussionist Sammy Figueroa, whose playing in a lengthy career has graced albums by artists as diverse as Miles Davis, Sonny Rollins, Quincy Jones, Hall & Oates, Carole King and Chic.     

Lawson’s trademark layered harmonies and vocal phrasing, his jazz fusion arrangements and his stunning keyboard skills are in evidence throughout the 11-track album, notably on “Be The Change”,  “Universal Chord” and “How Long”.   On the beautiful, intimate “I’ll Be Your Radio” he is joined by Moonchild’s Amber Navran on vocals and flute and her fellow members of the Los Angeles alternative R&B trio who contribute clarinet and flugelhorn. On the smouldering torch song “Love Isn’t Always Enough” Max Ribner’s trumpet and flugel provide the perfect mood-setting accompaniment.  

Describing him as the “blue eyed soul boy of jazz”, the London Evening Standard wrote: “It’s not just Lawson’s wide ranging tenor and ability to swing, scat and groove that has made him the biggest soul-jazz sensation in years.  It’s the way he’s bringing spirituality back to a genre that had lost its depth”.  

Jarrod received a Soul Artist of the Year Award from the UK’s Jazz FM in the wake of the release of his debut set and was Album of the Year runner-up at Gilles Peterson’s Worldwide Awards.He has performed at the North Sea Jazz and Love Supreme festivals among many in Europe, Indonesia’s Java Jazz festival and a number of festivals in his native US.  He has also played Billboard Live in Tokyo.   A European tour, originally scheduled for July 2019, has been rearranged for May 2021. 

“If you look at Incognito as being the flagship of my career, consider Citrus Sun as being the indulgent - and for fun only - speedboat that rides alongside her”

That’s Bluey explaining his love for Citrus Sun, as they release their fourth album Expansions and Visions on Dome Records (Worldwide release on August 14).  “This band is our getaway, our live-for-the-moment statement”, he says.    And for the second album running, the band did literally get away - to Krabi on southern Thailand’s West coast, where they enjoyed a life of beach and boat trips by day and writing and recording by night.   

A gritty reworking of the Ashford-Simpson classic “California Soul” features Noel McKoy, with background vocals from Jamiroquai’s Valerie Etienne and Hazel Fernandes.   

Valerie takes the lead on a blistering version of Lonnie Liston Smith’s “Expansions”, described by Bluey as “a pivotal song in the soundtrack of our lives – a song most of us used to dance to in the London clubs”.

Legendary UK guitarist Jim Mullen returns to the line-up for the third time on “Expansions”, “Stay You” (a Seventies-styled tribute to the late Leon Ware) and a driving, funky instrumental “Hard Boiled”.  

Featured on much of the album is the youngest addition to the band, 22-year-old Indonesian harmonica sensation Rega Dauna.

It was 20 years ago that HIL ST SOUL released their groundbreaking debut album SOUL ORGANIC.  The team of Zambian-born vocalist Hilary Mwelwa and producer Victor Redwood-Sawyerr (VRS) had been working away in a North London studio creating a unique blend of neo soul, jazz and R&B that impressed critics on both sides of the Atlantic.

And now, to coincide with a September show at London’s Jazz Cafe, where Hil first appeared in 2000, Dome are releasing a 20th Anniversary Edition of the vinyl album - now in a gatefold sleeve and with three additional tracks.

The 16 tracks in the 2LP set include “Strictly A Vibe Thang”, which charted on the Billboard R&B Singles chart, “For Your Love” and Hil’s acoustic version of “Until You Come Back To Me”, which ended 2000 as the most-played vocal track of the year across US Smooth Jazz radio stations.  In the ensuing two decades it has been Dome’s most downloaded - and one of the most streamed - tracks.

Billboard magazine enthused: “Brimming with R&B/hip-hop/jazz-flavoured rhythms and image-rich lyrics….Even Aretha’s ‘Until You Come Back To Me’ glows again under Hil’s touch”.  And talking about lead single Strictly A Vibe Thang, US magazine Radio & Records  wrote: “You can’t sit still on this one.   While listening to this infectious tune you got to move something – even if it’s just your big toe!”    

The bonus tracks on the new release are the acoustic version of “Until You Come Back To Me”, the VRS remix of “Just A Matter Of Time” and “Down To Business”.

The first ever collection of remixes from DOWN TO THE BONE.  This album of dancefloor and Latin-oriented remixes and reworks opens with DJ Spinna’s take on “Electric Vibes” with guest Roy Ayers, while the Agent K (alias Kaidi Tatham) mix of “The Flow” features Brazilian jazz vocalist Flora Purim.  Other key cuts include Speedometer’s rework of “Funkin’ Around”, the Afro Elements remix of “Wildfire Woman” and Daz-I-Kue’s remixes of “Angel Baby” with Mark de Clive Lowe and US vocalist N’Dambi, the remix of “Right On Baby Yeah” by Hoops Havona (alias Ceri Evans,former Brand New Heavies keyboardist) and German act Beanfield’s rework of “Black Choice”.   Several of these mixes have only been previously released on vinyl or on promotion-only releases.

The 15-track album is available digitally or as a 2CD package, from October 4 2019.

The band, who perform regularly in the US and Europe, have played dates in more than 30 cities in the US, where their festival appearances have included Capital Jazz Festival, The Hampton Jazz Festival, Pasadena Jazz Festival, Newport Beach Jazz Festival, Las Vegas City of Lights Jazz Festival, and the Capital Jazz Supercruise, among many others.   In the UK their most recent appearance was at London’s Roundhouse as special guests of Maceo Parker.

‘I didn’t want to do straightforward covers. I wanted to change the arrangements, be it from a rhythmic or harmonic aspect, sometimes both, while always keeping a soul/jazz flavour. Give the songs a new lease of life rather than just a fresh lick of paint’ - Rico Garofalo

LASPERANZA is the brainchild of UK producer/musician Rico Garofalo, with the debut album SEEDS a May 2019 release.   Ever since he became a professional sax player he has dreamed of making an album of inventively reimagined versions of songs from back in the day.   

Lead single is a sultry mid-tempo treatment of Gwen Guthrie’s disco era It Should Have Been You, featuring the delicious vocals of IZZY CHASE.   The single has been setting the UK’s soul radio alight - spins from Jeff Young at Jazz FM, a “Mi-Afternoon Delight” for Mark Smedley at London’s Mi-Soul, playlisted at Delite Radio and support from John Leech on his networked BBC soul show..

Justin Kantor at America’s Soultracks.com is full of praise for this new take on the song:

“What really makes this new incarnation of It Should Have Been You so special is that neither Garofalo or Chase have tried to emulate or duplicate Guthrie’s original. While Chase vocally maintains the sort of subtlety that Guthrie was such a pro at, she offers up new phrasing and melodic embellishments which take Garofalo’s surprisingly slowed-down, rearranged interpretation into a different sort of space..… It seems likely that the ever-prolific Guthrie and songwriter Darryl Thompson might be smiling down from above at such a well curated treatment of their timeless work”.

Down To The Bone present a seriously funky all-instrumental 3CD collection of their first three albums, which have been unavailable in physical format for several years.

The UK’s leading jazz groove band debuted with “From Manhattan To Staten”, which went to No 2 on Billboard’s Jazz Albums chart on its original release in the Nineties, while one of the key cuts, the Grammy-nominated “Brooklyn Heights”, hit No 2 on Billboard’s Jazz airplay chart.   Both these tunes also feature as 2019 bonus tracks, recorded live in the studio by the band’s current line-up.

Second CD “The Urban Grooves” also has a newly recorded bonus track, a cover of Willie “Beaver” Hale’s “Concrete Jungle”, long a favourite in their live set. Third CD “Spread The Word” features a new recording – available for the first time – a cover of Beyonce’s 2006 hit “Déjà Vu”.

The 3CD package is available to pre-order now on Amazon - release: 22 March 2019